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Michael Christie Das Rheingold Features 

Maestro Michael Christie on Minnesota Opera’s Das Rheingold

Maestro Michael Christie has been Music Director of the Minnesota Opera since the 2012 / 2013 season, and since that time he has helped shape the Minnesota Opera into the powerhouse it has become. For the first time in its history, Minnesota Opera is putting on one of the four works from Richard Wagner’s epic Der Ring des Nibelungen (The Ring of the Nibelung, or the Ring Cycle). Minnesota Opera patrons will have the privilege to hear Maestro Michael Christie conduct Das Rheingold (The Rhinegold), the prologue in the four-opera…

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Romeo and Juliet In Review 

Romeo & Juliet @ Minnesota Opera, In Review

I enjoyed the Minnesota Opera’s production immensely, but Gounod’s Roméo et Juliette (Romeo and Juliet) is not one of my favorite operas. Sitting in the front row of the Ordway on Sunday afternoon, October 2, 2016, I watched both actors and maestro have their respective moments of glory, of which there were many. The opera tells the story of Shakespeare’s Romeo and Juliet with a few minor alterations: Act III, scene 2 of the opera begins with a character – Stéphano – absent from Shakespeare’s version; Juliet and Romeo see…

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Lyric Opera of Chicago Metropolitan Opera Minnesota Opera New to opera 

The performances to see early this 2016 / 2017 season

It’s an intoxicating time of year for operagoers! The 2016/2017 opera season is just beginning, and it looks like it’s going to be a fantastic year! Here are a few of the biggest productions to keep your eyes on this fall… The Metropolitan Opera is opening its season with Wagner’s Tristan und Isolde next week on Monday, September 26, 2016. This revolutionary work is often viewed as one of the earliest pieces to take definitive steps away from tonal music, as represented by the famous Tristan chord, an integral part…

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Behind the Curtain, Romeo and Juliet Gounod Minnesota Opera New to opera 

Behind the Curtain, Gounod’s Romeo and Juliet, @mnopera

On September 14, 2016, a little after 7:00 p.m., Peter Mercer-Taylor made Gounod’s Roméo et Juliette come alive for me for the first time at the Minnesota Opera Behind the Curtain event at the Minnesota Opera Center in Minneapolis’s North Loop district. This rather obscure mid-19th century opera has never had a consistent place in the canon, but after Mercer-Taylor’s lecture, I wonder if it deserves one. 00

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