Andrew Wilkowske

“Opera can do something that no other art form can do,” says Andrew Wilkowske, the Fugitive in Chicago Opera Theater’s The Invention of Morel

Chicago Opera Theater has done it again: they’ve put together a stellar cast for yet another groundbreaking world premiere. The Invention of Morel, by Stewart Copeland, former drummer for the band The Police, and Jonathan Moore, will be on stage for the first time on Saturday, February 18, 2017. Not Read more…

Corinne Winters

“Opera is alive, and exists only from the downbeat until the curtain falls,” says Corinne Winters, Seattle Opera’s latest Violetta

American soprano Corinne Winters seems to be on the fast track to opera stardom – she’s making major house debuts left and right and transforming some of the great leading ladies – Violetta, Tatyana, and Mimì, to name a few – into her signature roles. Currently Winters is making her Seattle Opera debut Read more…

Recitative

What is recitative?

You may have heard the term recitative when you hear people talk about opera, but what exactly is recitative? This is my definition of recitative – any semi-spoken, semi-sung non-repetitive part of an opera that advances the action. Typically, the earlier the opera is, the easier it is to distinguish between recitative and other operatic sections, such as arias or ensemble pieces.

Don’t just take my word for it; listen to the great Leonard Bernstein talk about recitative…

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Opera’s Greatest Hits

A few of the “greatest hits” from the operatic repertory:

Overture to Mozart’s Le Nozze di Figaro (The Marriage of Figaro). While none of the music in the overture returns in the opera itself, it certainly does an excellent job setting the stage for the “day of madness” that is to follow. (more…)