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Andrew Wilkowske Features 

“Opera can do something that no other art form can do,” says Andrew Wilkowske, the Fugitive in Chicago Opera Theater’s The Invention of Morel

Chicago Opera Theater has done it again: they’ve put together a stellar cast for yet another groundbreaking world premiere. The Invention of Morel, by Stewart Copeland, former drummer for the band The Police, and Jonathan Moore, will be on stage for the first time on Saturday, February 18, 2017. Not only will audience members get to experience the excitement that surrounds a world premiere, but they will also have the rare opportunity to experience the set of the opera in a virtual reality experience prior to the show! Baritone Andrew…

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Corinne Winters Features 

“Opera is alive, and exists only from the downbeat until the curtain falls,” says Corinne Winters, Seattle Opera’s latest Violetta

American soprano Corinne Winters seems to be on the fast track to opera stardom – she’s making major house debuts left and right and transforming some of the great leading ladies – Violetta, Tatyana, and Mimì, to name a few – into her signature roles. Currently Winters is making her Seattle Opera debut as Violetta in Verdi’s La traviata. What is your earliest opera memory? Learning my first aria – the “Seguidilla” from Carmen – when I was 17. Crazy, I know. I started as a mezzo-soprano (if one can even call herself…

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Eric Neuville Features 

“Singing is my vocation,” says American Tenor Eric Neuville

American tenor Eric Neuville is a fascinating guy all around – he sings opera, writes books, re-engineers vocal labs, and sings in a Grammy Award winning ensemble. He is currently playing Gastone in Seattle Opera’s latest production of Verdi’s masterpiece La traviata, consistently the most performed opera worldwide. Opera Sense is thrilled that Neuville was willing to answer a few of our questions about his background and current projects. What is your earliest opera memory? I can vividly remember a production of Carmen I saw at Minnesota Opera as a…

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Recitative Mozart New to opera Recitative Rossini Verdi 

What is recitative?

You may have heard the term recitative when you hear people talk about opera, but what exactly is recitative? This is my definition of recitative – any semi-spoken, semi-sung non-repetitive part of an opera that advances the action. Typically, the earlier the opera is, the easier it is to distinguish between recitative and other operatic sections, such as arias or ensemble pieces. Don’t just take my word for it; listen to the great Leonard Bernstein talk about recitative… +10

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